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	<title>horror &#8211; E.S. Mayorga</title>
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	<link>https://esmayorga.com</link>
	<description>Art &#38; Video / Arte y Video</description>
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	<title>horror &#8211; E.S. Mayorga</title>
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		<title>THE FALL OF THE GOOD TASTE</title>
		<link>https://esmayorga.com/the-fall-of-the-good-taste/</link>
		
		<dc:creator><![CDATA[e.s.mayorga]]></dc:creator>
		<pubDate>Sat, 04 Aug 2018 19:48:11 +0000</pubDate>
				<category><![CDATA[ART PROJECT]]></category>
		<category><![CDATA[bankrupt]]></category>
		<category><![CDATA[capitalism]]></category>
		<category><![CDATA[end of productivity]]></category>
		<category><![CDATA[Homage to Poe]]></category>
		<category><![CDATA[horror]]></category>
		<category><![CDATA[Poe]]></category>
		<category><![CDATA[Uscher]]></category>
		<guid isPermaLink="false">http://esmayorga.com/?p=677</guid>

					<description><![CDATA[Exhibition view at The Nunnery Gallery, London, 2009 The Fall of the Good Taste 2006 smoked miniatures, human hair, black onix and burned oil. 36 x 36 x 20 cm M&#38;M collection, Mexico City]]></description>
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							<p style="text-align: right;"><span style="color: #ffffff;"><em><strong>The Fall of the Good Taste</strong></em></span><br /><span style="color: #ffffff;">2006</span><br /><span style="color: #ffffff;">smoked miniatures, human hair, black onix and burned oil.</span><br /><span style="color: #ffffff;">36 x 36 x 20 cm</span></p><p style="text-align: right;"><span style="color: #ffffff;">M&amp;M collection, Mexico City</span></p>						</div>
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			</item>
		<item>
		<title>DIECI NOTTI DI SANGUE</title>
		<link>https://esmayorga.com/dieci-notti-di-sangue/</link>
		
		<dc:creator><![CDATA[e.s.mayorga]]></dc:creator>
		<pubDate>Sat, 18 Jun 2016 12:58:51 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Análisis de cine]]></category>
		<category><![CDATA[Cerdeña]]></category>
		<category><![CDATA[Dieci Notti di Sangue]]></category>
		<category><![CDATA[Film-analysis]]></category>
		<category><![CDATA[horror]]></category>
		<category><![CDATA[horror contemporáneo]]></category>
		<category><![CDATA[horror-film]]></category>
		<category><![CDATA[Ilovesardinia]]></category>
		<category><![CDATA[Sardinia]]></category>
		<guid isPermaLink="false">http://esmayorga.com/?p=406</guid>

					<description><![CDATA[Workshop on Horror Film Analysis Since 2011 the NoArte-PaeseMuseo organization arrange a horror-film program followed by a 3 days workshop entitled Dieci Notti di Sangue. The goal of the workshop is to help the viewer to identify the social, political and historical background behind horror films (presenting history and film-production as intimately related), as well [&#8230;]]]></description>
										<content:encoded><![CDATA[<h2>Workshop on Horror Film Analysis</h2>
<p>Since 2011 the <em>NoArte-PaeseMuseo</em> organization arrange a horror-film program followed by a 3 days workshop entitled <em>Dieci Notti di Sangue</em>. The goal of the workshop is to help the viewer to identify the social, political and historical background behind horror films (presenting history and film-production as intimately related), as well as to recognize how sexuality and current social anxieties influence the development of different kind of monsters and plots.</p>
<p style="text-align: left;"><em>Dieci Notti di Sangue &#8211; The History of the Horror-Genre</em> <em> (2011)</em></p>
<p style="text-align: left;"><em>Dieci Notti di Sangue II &#8211; Science and Nature in Horror Film</em> <em> (2012)</em></p>
<p style="text-align: left;"><em>Dieci Notti di Sangue <em>III</em> &#8211; Migration and Racism</em> <em> (2016)</em></p>
<hr />
<p class="responsive-video-wrap clr"><iframe title="Dieci notti di Sangue 2016 - Laboratorio _1" width="1200" height="675" src="https://www.youtube.com/embed/QDI1P_vAYOc?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen></iframe></p>
<p>Here you can see the first session of the workshop <em>Dieci Notti di Sangue III &#8211; Migration and Racism</em>.</p>
]]></content:encoded>
					
		
		
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		<item>
		<title>A CREATIVE PATH TO A NERVOUS BREAKDOWN</title>
		<link>https://esmayorga.com/a-creative-path-to-a-nervous-breakdown/</link>
		
		<dc:creator><![CDATA[e.s.mayorga]]></dc:creator>
		<pubDate>Wed, 10 Jun 2015 16:25:18 +0000</pubDate>
				<category><![CDATA[ART PROJECT]]></category>
		<category><![CDATA[Arte]]></category>
		<category><![CDATA[blanco y negro]]></category>
		<category><![CDATA[espacio urbano]]></category>
		<category><![CDATA[fotografía]]></category>
		<category><![CDATA[horror]]></category>
		<guid isPermaLink="false">http://esmayorga.com/?p=341</guid>

					<description><![CDATA[A CREATIVE PATH TO A NERVOUS BREAKDOWN 2008-2010 lambda print on aludibond series of seven]]></description>
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							<p><span style="color: #ffffff;"><em><strong>A CREATIVE PATH TO A NERVOUS BREAKDOWN</strong></em></span><br /><span style="color: #ffffff;">2008-2010</span><br /><span style="color: #ffffff;">lambda print on aludibond</span><br /><span style="color: #ffffff;">series of seven</span></p>						</div>
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		<item>
		<title>THE ROLE OF FEAR &#8211; FROM CRIME TO ART &#8211; CHAPTER I</title>
		<link>https://esmayorga.com/the-role-of-fear/</link>
		
		<dc:creator><![CDATA[e.s.mayorga]]></dc:creator>
		<pubDate>Tue, 09 Jun 2015 16:23:16 +0000</pubDate>
				<category><![CDATA[ART PROJECT]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[basado en una história real]]></category>
		<category><![CDATA[BenzinpAnk]]></category>
		<category><![CDATA[Corinna Schnitt]]></category>
		<category><![CDATA[Demonic Possession]]></category>
		<category><![CDATA[Exorcist]]></category>
		<category><![CDATA[exorsista real]]></category>
		<category><![CDATA[Film Büro Bremen]]></category>
		<category><![CDATA[HBK Braunschweig]]></category>
		<category><![CDATA[horror]]></category>
		<category><![CDATA[Horror-fiction]]></category>
		<category><![CDATA[KHM Köln]]></category>
		<category><![CDATA[Most wanted]]></category>
		<category><![CDATA[poltergeist]]></category>
		<category><![CDATA[Private Culture]]></category>
		<category><![CDATA[Satán. satan]]></category>
		<category><![CDATA[satanic sculpture]]></category>
		<category><![CDATA[satanismo]]></category>
		<category><![CDATA[sculpture]]></category>
		<guid isPermaLink="false">http://esmayorga.com/?p=242</guid>

					<description><![CDATA[THE ROLE OF FEAR  is a series of autobiographical experimental documentaries based on the facts that had radically changed my life and artistic production: working for a small mafia in Mexico, my numerous experiences with paranormal phenomena, my expertise on the horror genre and the forced disappearance of my younger sister in 2012. Synopsis From [&#8230;]]]></description>
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							<p style="text-align: left;"><em>THE ROLE OF FEAR</em>  is a series of autobiographical experimental documentaries based on the facts that had radically changed my life and artistic production: working for a small mafia in Mexico, my numerous experiences with paranormal phenomena, my expertise on the horror genre and the <a href="http://nomasvictimas.org/" target="_blank" rel="noopener">forced disappearance of my younger sister</a> in 2012.</p>						</div>
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							<p><strong>Synopsis</strong> <br /><em>From Crime to Art</em> reveals my path from being a small-time criminal working for a mafia in Tepito, Mexico City to the decision of becoming an artist. This first part shows how my first artistic projects were developed at the edge of legality.</p>						</div>
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							<p><span style="color: #ffffff;"><em><strong>THE ROLE OF FEAR &#8211; FROM CRIME TO ART &#8211; CHAPTER I</strong></em></span><br /><span style="color: #ffffff;">2014</span><br /><span style="color: #ffffff;">documentary video-installation</span><br /><span style="color: #ffffff;">Full HD / color / stereo / 13&#8242;</span></p><p><span style="color: #ffffff;">excerpt 3&#8243;</span></p>						</div>
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							<p style="text-align: left;"><strong>INSTALLATION &#8211; FROM CRIME TO ART<br /></strong></p><p>Each chapter and its related appendices will be shown in the form of video-installations in order to transform the museum in to a kind of &#8220;House of Horrors&#8221;, of real horrors.</p>						</div>
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							<p><span style="color: #ffffff;">Thanks to: HBK, Braunschweig / Corinna Schnitt / Ingo Schulz / Matties &amp; Söhne / Niedersächsisches Ministerium für Wissenschaft und Kultur / KHM, Köln / Bahnhofslädchen, Braunschweig / Chemical Marriage / Private Culture / MEM1 / Javier Joaquín / Christian Espinosa / Jan Hinz / Dueker / BenzinpAnk / Institut für Grenzgebiete der Psychologie und Psychohygiene / Filmbüro Bremen / Giacomo Salis / Kunstvrein Cuxhaven &amp; <span class="st">Jochen Hünnebeck.</span></span></p>						</div>
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		<title>DIGGING OUT NEW STATEMENTS (under the influence of the full moon)</title>
		<link>https://esmayorga.com/digging-out-new-statements-under-the-influence-of-the-full-moon/</link>
		
		<dc:creator><![CDATA[e.s.mayorga]]></dc:creator>
		<pubDate>Tue, 09 Jun 2015 15:25:49 +0000</pubDate>
				<category><![CDATA[ART PROJECT]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Arte "Darks"]]></category>
		<category><![CDATA[Bienal de Venecia]]></category>
		<category><![CDATA[dead]]></category>
		<category><![CDATA[death]]></category>
		<category><![CDATA[Deutschland]]></category>
		<category><![CDATA[E.S. Mayorga]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[gravediggers]]></category>
		<category><![CDATA[graveyard]]></category>
		<category><![CDATA[horror]]></category>
		<category><![CDATA[Niedersachsen]]></category>
		<category><![CDATA[wasting time and energy]]></category>
		<guid isPermaLink="false">http://esmayorga.com/?p=216</guid>

					<description><![CDATA[https://vimeo.com/12675248 DIGGING OUT NEW STATEMENTS(under the influence of the full moon)2008-2009documented actionsHDV / color / stereorunning time: variable The first place where this performance took place was at the main cemetery in the city of Braunschweig in 2007. On an attempt to capture the multiple ways to describe this simple action and to explore its [&#8230;]]]></description>
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							<p><em><strong>DIGGING OUT NEW STATEMENTS</strong></em><br /><em><strong>(under the influence of the full moon)</strong></em><br />2008-2009<br />documented actions<br />HDV / color / stereo<br />running time: variable</p>						</div>
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							<p><span style="color: #999999;">The first place where this performance took place was at the main cemetery in the city of Braunschweig in 2007.</span></p>						</div>
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													<img loading="lazy" decoding="async" width="709" height="390" src="https://esmayorga.com/wp-content/uploads/2016/01/Cementerio-aerea2.jpg" class="attachment-large size-large wp-image-390" alt="" srcset="https://esmayorga.com/wp-content/uploads/2016/01/Cementerio-aerea2.jpg 709w, https://esmayorga.com/wp-content/uploads/2016/01/Cementerio-aerea2-300x165.jpg 300w" sizes="(max-width: 709px) 100vw, 709px" />													</div>
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							<p>On an attempt to capture the multiple ways to describe this simple action and to explore its possible meanings, I buried more than fourteen shovels in different contexts. Three shovels were buried on the small graveyard. The towns name is Stuhr-Heiligenrode, Germany. </p>						</div>
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							<p>Another one lies directly under the goal-keepers feet on this football field.</p>						</div>
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